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Crime And Punishment


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Crime And Punishment at Caralluma Fimbriata

Crime and Punishment is a novel by Russian author Fyodor Dostoyevsky, that was first published in the literary journal The Russian Messenger in twelve monthly installments in 1866. Crime and Punishment focuses on the mental anguish and moral dilemmas of Rodion Raskolnikov, an impoverished St. Petersburg ex-student who formulates and executes a plan to kill a hated, unscrupulous pawnbroker seemingly for her money, thereby solving his financial problems and at the same time, he argues, ridding the world of an evil worthless parasite. Raskolnikov also strives to be an extraordinary being, similar to Napoleon, who can murder without repercussions.

Plot summary

The novel portrays the murder of a miserly, aged pawnbroker and her younger sister by a destitute Saint Petersburg student named Raskolnikov, and the emotional, mental, and physical effects that follow. After falling ill with fever and lying bedridden for days, Raskolnikov is overcome with paranoia and begins to imagine that everyone he meets suspects him of the murder; the knowledge of his crime eventually compromises his sanity. Prior to the crime he meets, in a tavern, a down-on-his luck former civil servant — Marmeladov, who tells him of his own desperate circumstances — including the circumstances of his only daughter Sonya, who has been forced to become a prostitute to feed her stepbrother and sisters. Raskolnikov becomes the family's benefactor after the death of Marmeladov and becomes fascinated with Sonya. He might even be in love with her. This relationship can be interpreted as an allegory of God's love for fallen humanity — and the redemptive power of that love — but only after Raskolnikov has confessed to the murder and been sent to imprisonment in Siberia. It is there that he realizes that he is capable of love, and that he loves Sonya. Apart from Raskolnikov's fate, the novel, with its long and diverse list of characters, deals with themes including charity, family life, atheism, alcoholism, and revolutionary activity, with Dostoevsky highly critical of contemporary Russian society. Raskolnikov's real punishment is not the labour camp he is condemned to, but the torment he endures throughout the novel. This torment manifests itself in the aforementioned paranoia. He is unable to engage in 'normal' human relationships and it is only when imprisoned and away from the distraction of Petersburg that he is able to realize that he too is able to fully love another. He and Sonya are then able to engage with the world once more. It is the resolution of the inner battle between his inhuman philosophy and his distinctly human character that allows his redemption.


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